Field and Another

When investigating the role of intentionality in drawing for my dissertation, I was inspired by the principle of film ‘montage’. After the initial construction of a painting language for the human body, I began a series of experiments. They have similarities with the film, that is, I regard the whole picture as one image and collage it with another historical and cultural image, two seemingly different images combine to form a metaphor, an echo.

But the difference between the montage of a film and a painting is that the film's images flow in time, while the painting is flat.

Throughout my portfolio, one will see that this chapter is a germ, the starting point for the various series that followed.

They began in my senior year of bachelor's degree.