Films

‘soma&architecture’ is a black-and-white, two-screen experimental video aimed at exploring the relationship between the individual's identity and architectural identity and a new language for films in which the subjects are the female human body and interior architectural structures.

The beginning of the film starts with the elements of dots, lines and surfaces, four water drops lead to the four sections of the film: arm 1, arm 2, leg and head. As the four drops converge, the whole human body emerges, the distinction being made in a semiotics way.

This relationship of identity is about the visual structure and is based on the structure of the language of painting, exploring the black, white and grey of the human body in the camera's perspective and the rhythm and variation of lines and shapes, and contrasting them with architecture and installations. On the same way of decoding the information of the picture (the brain), the symbols of identity in its visual meaning are explored, which is a study about the history of the image.

The two-screen image does not have a centre, but interacts in real time through a fluid montage, allowing the viewer to simultaneously feel the visualised significance of individual identities and man-made objects.